Last month Inna & I spent eight days in Austin. She was headed there for a four-day workshop, and it made sense for me to tag along and extend our trip, so that we could check it out as a possible place to relocate to.

Austin Skyline

Austin Skyline

Inna enjoying her palapa

Inna enjoying her palapa

Sparky Park

Sparky Park

Austin Boardwalk

Austin Boardwalk

Craft

Craft

Couple under a palapa

Couple under a palapa

Couple at Clay Pit

Couple at Clay Pit

Couple at Lupe's Tex-Mex

Couple at Lupe's Tex-Mex

Mt. Bonnell Sunset

Mt. Bonnell Sunset

Prologue

This was my first trip out of Pennsylvania since the Covid-19 pandemic hit; my first time sleeping anywhere other than my own bed since 2019. With the pandemic winding down, it was a nervous, awkward person who finally emerged from his cave after 2½ years of hibernation.

Leading up to the trip, I wasn’t able to muster much motivation to do the advanced research I needed to be well-prepared. I wasn’t big on the idea of living in Texas, and my previous visits to Austin (in 1994, 2003, and 2004) had left me with the impression that it was a cycling-unfriendly area. On top of that, I had some trepidation about the reasons behind Inna’s sudden enthusiasm for moving to such a scorchingly hot location.

I should also point out that I just wasn’t in a very positive place emotionally, which colored my experience of Austin and thereby this account of our travels. So please discount the “grumpy old man” factor that you’ll encounter below.

Here’s my day-by-day account, but if you’re only interested in the bottom line, you can skip ahead to the Epilogue.

Wed April 20: Travel

Arriving at the Pittsburgh airport, I dropped Inna near the terminal, drove out to long-term parking, and made the long walk back. Only to discover that Inna had forgotten to leave her winter coat in the car, so I offered to schlep it back out to the car and repeat my inbound hike. We breezed through security thanks to TSA PreCheck. Breakfast from McDonalds. Unlike ourselves, only 10% of people were masked up.

Our two-stage flight went well. I used the flight time to practice Japanese on Duolingo. At our connection in Detroit, our outbound flight to Austin was the same gate and aircraft we’d arrived in from Pittsburgh, which happily obviated the entire hectic connecting-flight dependency chain.

Grabbed our rental car from Enterprise, where they were much too friendly. Drove across town and checked into our hotel, right on the I-35 highway access road. Seeing Captain Benny’s seafood restaurant with outdoor seating and palapas right next to the hotel, Inna was delighted by the reminder of our time in the Caribbean, so we immediately had a light outdoor dinner there.

The weather – as it would be all week long – was very windy and heavy overcast that would occasionally burn off to reveal the sun. Days ranged from 20-30° and nights from 10-20°. Inna found it delightful, and it was quite an improvement over Pittsburgh, where it had snowed all day the day before we left.

Afterward, we went straight to the Atown local souvenir shop, checked out “Sparky Park” (a former electrical substation decorated with pretty and sparkly and delightful junk), and got supplies at the local H-E-B (Howard E. Butt) grocery, which included some interesting “double chocolate” Lindt truffles.

Had some challenges navigating the Texan highway access road system, Austin’s half streets (e.g. East 38½ Street), and the mystery of why anyone would name a residential street “Speedway”. Returned to the hotel very tired and spent some time catching up on stuff before turning in.

Thu April 21: Level Up Circling & Mariposa

After a breakfast of OJ and cookies, I dropped Inna off at the modest ranch house where her four-day Circle Anywhere workshop was held. My plan for Day 1 was to shower, settle in, and attend an evening meditation group at Mariposa Sangha.

My contact there had proposed meeting up beforehand, but never replied to my response, so I had dinner on my own: an idiosyncratic Panang curry at Thai Kitchen, where I got instant service, being the only customer who was dining in. Dessert was a Mexican vanilla milkshake at Amy’s Ice Cream up the street, after being asked by the staff whether I was able to fix their “waffle dough pump”.

Then to Mariposa, a small peer-led Vipassana meditation group, held in a Methodist church chapel, which was still filled with Easter lilies. Met Paul Schlaud, who was leading the evening sitting and dhamma talk, covering the Buddhist precept against misusing sexuality. I contributed during the Q&A, and chatted with Paul afterward. It seemed comparable to our sitting group in Pittsburgh: pretty small and informal, where I’d be equally welcome to teach as well as be taught.

My session ended just as Inna’s post-workshop dinner broke up, so I swung by the Italian restaurant to pick her up and drive back to the hotel.

Fri April 22: Bike Shops

After dropping Inna off, I began my cycling-focused day with a stop at TJ’s Cycle, where I got a lot of good pointers, despite them being mostly an MTB shop.

The guy there pointed me to a new shop nearby called Bicycle House ATX, where I gathered a little more info.

Then downtown, where I stopped at REI to get an independent opinion. I picked up a hardcopy Austin bike map and chatted with a couple friendly locals. Then the nearby Rapha store, which was predictably pretentious but helpful.

My final downtown stop was Mellow Johnny’s, the store founded by cycling pariah Lance Armstrong. It is a hub of the local cycling community, and had dozens of workers manning the store, but to me it seemed both tackily self-promoting and thoroughly unfriendly.

My final stop was Trek Bicycle Lamar. The former center of Austin’s cycling scene, it had been known as the Bicycle Sport Shop before a corporate buyout. I spoke briefly to an attendant who had once lived in Pittsburgh. The shop had a whole wall full of suggested rides, which I captured for future reference.

By the end of the afternoon, I had gathered way more information about the Austin cycling scene than needs to be recorded here, but my impression was that cycling was popular enough to support for several bike shops and group rides. And although I couldn’t find evidence of any centuries or major events (other than the Hill Country Randonneurs), people sounded confident in riding out beyond the city limits into Texas proper. Austin seemed to pass my cycling sniff test.

I’d planned to walk around the corner to visit Peter Pan Mini Golf, which I’d visited with my DargonZine pals in 2003, but by then I was so tired that it slipped my mind in my desire to get back to the comfort of the hotel.

After meeting up with Inna, dinner was a pound of pork ribs at Rudy’s BBQ. As we entered the building, the wind was so strong that it blew down a renovator’s ladder, which nearly fell on top of me!

For dessert I took Inna to Amy’s Ice Cream. She’d had a challenging day at her workshop, and I let her talk it out and relax in the outdoor seating. We were both beat and headed back to the hotel to crash.

Sat April 23: Kyūdō & Newspaper Quest

After taking Inna to Day 3 of her workshop, I went back to the hotel to shower, which for this one day was swarmed with dozens of college students. Then it was back into town to pick up some Excedrin and the day’s main event.

I stepped into the Rising Sun Aikido studio, where people from Austin Kyūdō were assembling for practice. When the leader introduced herself to me, I heard her name as “VHS”, which she subsequently corrected to “Beatrice” (Haven). I also met Helen Febrie, whom I’d exchanged emails with to schedule my visit.

I have two main takeaways from their practice. One is that they’re an ANKF/IKYF group, rather than the Zenko/Heki-ryu Bishu Chikurin-ha lineage of kyūdō that I studied back in Boston. That means they put less emphasis on the mental and meditative aspect of kyūdō, and like other martial arts they give formal ranks to practitioners. There are also some tiny differences in their technique, such as using the two-arrow form, not smoothing the arrow feathers, emphasis on coordinated team practice, less ritualized arrow retrieval, and permission to use bows made of materials other than bamboo. It also means they’re on good terms with American bowmaker Don Symanski, which could someday prove valuable. But I’m agnostic about which school of kyūdō I’m involved with, and find that petty rivalry to be shortsighted, given how tiny the pastime is here in the U.S..

My other takeaway is that it’s a small group with friendly, approachable members. They’re a small offshoot of the IKYF South Carolina Kyūdō Renmei based near Greenville, SC. They’re not unfriendly with the remnants of the dormant Austin Shambhala kyūdō group, as well as Zenko, and they sometime cross paths. It seemed like a nice, supportive group, although requiring an immense 1,800 KM trip to SC to get instruction and support from an experienced teacher.

I stayed for the full 2-hour indoor practice, occasionally chatting but mostly enjoying the beauty of the form and teasing out the differences in technique.

It being Saturday, I wanted to pick up a Barron’s financial newspaper, since I’d suspended my home delivery for the week. Long story short, I had no luck, despite hitting a CVS drugstore, Barnes & Noble bookstore, Kinokuniya Japanese bookstore, and 7-Eleven and Valero convenience stores all across town.

Frustrated, I went back to the hotel and spent the night eating snacks and watching soccer. I was too tired to go out, find a big meal, and fight the Saturday night crowds. Inna found her own dinner and eventually Ubered home.

Sun April 24: Terrible, Horrible, No Good, Very Bad Hotel Day

Day Four in Austin, and for the third day I woke up headachey and nauseous. The weather was continued overcast, which certainly was preferable to Texas heat, but weighed on my mood.

Despite fulfilling major criteria like cycling, meditation, and kyūdō, much of Austin felt like America at its worst: soulless highway car culture and chain store strip mall hell. The city has become ridiculously expensive and its overtaxed infrastructure can’t handle the explosive population growth it has experienced.

Although I’d brought all my cycling gear and hoped to enjoy some cycling around Austin – especially the Veloway and bike night at the Circuit of the Americas – logistical difficulties had made it impossible. I was disappointed and depressed.

After dropping Inna off at her final workshop session, I wanted to fetch drinks and a Barron’s, but had no luck at Circle-K, the H-E-B grocery, or Target. Then I went back to the hotel to regroup and figure out my plan for the day.

While brushing my teeth, I dropped a hotel glass in the bathroom sink, smashing it and cutting up my hands, especially my right ring finger, which began bleeding profusely. It took two hours of constant direct pressure to get the bleeding under control, and another hour before it stopped enough to be able to stick a bandage on it. The white facecloth I’d used was crimson and completely soaked with blood. Getting that under control pretty much took up my whole day. By evening, I was able to gingerly drive myself to another nearby Thai restaurant, Pad Thai, for takeout.

Meanwhile, Inna had decided to spend the evening with her workshop cohort, going wading in Barton Springs before getting a late ride back to the hotel.

From my perspective, it had been another shitty day and I just wanted nothing other than to go home.

Mon April 25: Storms & Hotel Swap

Monday wasn’t much of a day either, washed out by thunderstorms and off-and-on rain. Inna spent her first non-workshop morning recovering needed work files that her teammates had mistakenly deleted. Then we packed up and checked out of our north-of-town hotel. Although we’ve usually stayed at B&Bs, Inna had found exceptional deals at standard hotels, and changing hotels allowed us to explore different parts of the city with less travel time in the car.

With time to kill before our check-in time at the next, south-of-town hotel, we drove around town looking at houses that were for sale. They were mostly ranches, of course, and the residential neighborhoods only varied in how recently they’d been developed. Prices were high but not completely insane.

After an unenthusiastic debate, we opted for a late lunch at the Clay Pit, a downtown Indian restaurant that I had visited during the 2003 DargonZine Summit meetup, and where I’d left behind (and then fetched) a digital camera. The food was surprisingly good.

Our new hotel was located right in the middle of a massive highway interchange in a more industrial section of town. Inna was delighted that the new room — unlike the old one – had a safe, until I pointed out that it was actually a microwave oven, and she probably didn’t want to store her work computer in there!

We spent the rainy afternoon relaxing. Inna napped, and then practiced her Hebrew on Duolingo, which she’d picked up after I’d started using it over Xmas to learn Japanese. Then we went to H-E-B for supplies before calling it a day.

Tue April 26: Grumpy Goes Downtown

By Tuesday, it had all caught up with me: the gloomy weather, my headaches, bad eating, inability to do any cycling, and injuring my hand, all on top of longstanding background dissatisfaction with aging and cardiac health. First thing after waking up, Inna patiently sat through one of my rare emotional dumps.

She then equally patiently helped me shower and wash my hair, since I still couldn’t use my right hand. Afterward, I replaced the bandage for the first time, and happily noted that my fingers looked much better than they had two days earlier.

Focusing on what she could control (my diet), Inna directed us to breakfast at the Magnolia Cafe, where I demolished Eggs Zapata, which amounted to scrambled eggs on english with sausage and spicy queso.

Next stop was “Austin Art Garage”, but we arrived before opening, so killed time in a nearby Indian shoppe. Returning, we scoped out the gallery, and I was amused by their 1980s vintage Tron arcade game console.

Heading downtown, we stopped at the Austin Visitor Center, which provided a transit map and just two brochures, only one of which was Austin-specific. Worthless.

With the day turning warm and sunny, Inna directed us to the mile-long Lady Bird Lake Boardwalk that’s part of the bike trail along the south side of the Colorado River. We took up residence in some Adirondack chairs left on a riverside dock and enjoyed the sun and the skyline view for a while, and watched a couple guys fooling around on e-foils. On the walk back, Inna greeted a young black woman who had brought her cat down to the river.

The rest of the day was haphazard. Another Amy’s Ice Cream, followed by Uncommon Objects, a big antiques (junk) store with most of its wares displayed by color. I dropped Inna off to meet a friend for a food truck dinner, then went back to the hotel, where I waited until 10:30pm to hear whether she needed me for a return ride or not.

Wed April 27: Lupes & More Circling

We (well, Inna) slept in until lunchtime. After hitting CVS, we stopped to admire Casa Neverlandia, a creatively-decorated private house that reminded me of Pittsburgh’s Randyland.

Lunch was a long-anticipated stop on the 360 at Lupe’s Tex-Mex restaurant, an Inna favorite since her first business trip to Houston, having heard it reviewed by a co-worker back when she was in Kuala Lumpur. It being my first time, I was pleased with the fajitas we got. I’m not sure it lived up to the years of hype I’d heard – and it was stunningly expensive! – but it was good to finally try the place for myself.

After yet another Amy’s Ice Cream, we stopped for a brief rest at the small Govalle Neighborhood Park at the Southern Walnut Creek trailhead.

Then Inna navigated us to Craft, a big DIY crafting warehouse. After a quick tour, we settled in and gave it a try. Inna produced one of her typical paint-and-collage compositions, and I stayed true to form with a bold abstract paint-based thing. Nothing noteworthy, but it was a nice activity, and something to do as a couple other than sitting around the hotel or eating.

Although Inna’s weekend workshop was over, she wanted to go to Circle Anywhere’s regular weekly evening session, so I dropped her off and went to kill time at the Kinokunia Japanese bookstore. I browsed for 45 minutes without finding anything that jumped out at me, so I moseyed on to the Daiso Japanese housewares store next door.

Bored with that, I consulted my map to find a nearby park to hang out in for the 90 minutes until Inna’s session ended. Covert Park at Mount Bonnell was nearby and looked like it would have a view overlooking the river, so I drove there.

I’d forgotten that Mount Bonnell is a favorite semi-touristy spot to watch the sunsets from atop a high bluff over the river. I’d arrived just in time, and spent a few minutes scouting out the walking paths, looking for an unoccupied vantage point. It reminded me a lot of the “overlooks” back in Pittsburgh. I relaxed, watched the sun set, and took a couple selfies and panoramas. I also enjoyed the modern convenience of using a 5G phone connection to check Inna and I into our upcoming flights home.

Inna’s workshop session had been unsatisfying, so we chatted about it on the way back to the hotel, where we started packing up while watching another soccer game.

Thu April 28: Killing Time til We Can Go Home

Our last day in Austin began as you’d expect: packing up and checking out of our hotel.

Then we made our way to the Buzz Mill cafe, where we met up with Inna’s friend Sarah Ness, a former Pittsburgher who had founded Authentic Revolution, one of Austin’s other “circling” groups. She was pleasant and interested and energetic, and had lots of positive things to say about Austin.

When Sarah left, Inna and I went next door to a Dairy Queen, where I ordered the traditional Dilly Bar. Then we literally drove around the block before Inna proposed that we go back and hang out at the Buzz Mill until it was time to head to the airport.

The car was dropped off in seconds, our TSA PreCheck got us through security in no time, and Inna disappeared into a massage booth while I finally found a copy of Barron’s at an airport newsstand. Inna stopped at “Salvation Pizza” and spent $7.50 a slice for some greasy pizza that they stacked such that each slice was stuck to the paper plate of the one above it. Did we still eat it? Yeah, you can’t be choosy when eating in the airport.

By the time our 7pm flight was boarding, even Inna just wanted to be home. Happily, like our previous connection in Detroit, our transfer in Atlanta was also back onto the same aircraft at the same gate we arrived at, which made for the best Hartsfield experience either of us have ever had. We shared a laugh when the PA announcer sounds like he asked passengers to please make sure everyone in your party had their body parts for boarding.

Although it wasn’t objectively long, our journey home felt like it took forever. The flight, the trek to the intra-terminal shuttle, waiting at baggage claim (we’d been forced to gate-check our carry-ons), the trudge out to the car, paying for long-term parking, and the 45-minute drive home. There – despite it being 2:30am — I jumped straight into trash, recycling, and cleaning out the cat’s litterbox and put everything out for pickup later that morning. But the cat was happy to see us, and we were very glad to climb into bed shortly before the sun rose.

Epilogue

Recalling that this was my first major trip post-Covid, since late 2019, I am delighted that we made it through without either of us getting sick. We were masked and careful at the airports and during flights, but less so in Austin, where we – like everyone else – went mostly mask-free in stores and restaurants. Although we weren’t especially stringent, we didn’t have any problems at all, even though our immune systems haven’t been exercised in 2½ years.

As for the prospects for relocating, that remains a bit unclear, although after numerous false starts, Austin’s the first place that we both agree has real potential.

For me, the positive side of the ledger includes Inna’s willingness to move there, an active cycling community, the presence of a kyūdō dojo, an MLS team, and no city or state income taxes. Although I’ll repeat how disappointed I am that I wasn’t able to do any cycling during this trip, either solo or in the company of locals.

The list of Austin’s negatives includes the cost of living, the traffic, the highways, the endless expanse of character-less strip malls. Higher property and sales taxes. No casino. Poisonous snakes, spiders, fire ants, scorpions, and lots of other creepy-crawlies. And no matter how reasonable Austinites might seem, it’s a tenuous island of approximate sanity amid Texas’ vast and frightening brand of crazy.

As for mixed blessings… This trip’s weather notwithstanding, there’s the heat. Although I would certainly be leaving New England winters far behind, even a sun-worshipper like myself am intimidated at the prospect of living with Texas’ infamous heat, even if Inna is resigned to being uncomfortable no matter where we go.

And the meditation scene also counts as a mixed blessing. There aren’t any longstanding teachers, nor any retreat centers anywhere nearby. The community is small and led by a group of peer leaders. While that’s much like my situation here in Pittsburgh and would allow me to continue to develop my role as a teacher, I would have even less experienced support in my own personal practice than I already have here.

So that leaves me with mixed feelings. Austin seems to have almost all of the things I want in a home, and Inna seems willing to commit. If it wasn’t Texas, it might be an easy decision to make. But I can’t escape the fact that it is Texas, and living there would require an immense adjustment, as compared to moving somewhere a little more temperate and with a more familiar East Coast culture.

Making another scouting trip would make a lot of sense, to become more confident about our decision, whatever that winds up being. There’s just so much that we haven’t looked at, including Inna’s employer’s local office, and that dreaded summertime heat.

So that’s where I wound up. As a vacation, it wasn’t a very good trip for me; and as a relocation spot, Austin has a lot of potential, although there are lots of plusses and minuses for us still to weigh.

Mt. Bonnell Sunset Pano

Mt. Bonnell Sunset Pano

I’m not a packrat, but I have an eye for memorabilia, socking away strange little keepsakes that would otherwise land in a dumpster. Examples include circuit boards from the PDP-11 system I managed in college, and the brass corporate mission plaque from MediQual, my first post-college employer.

Another such item is a poster-sized oil painting that hung over Sapient’s front desk back in 1995, when I was first hired by the nascent internet consulting company.

Boston Painting

It was an original composition by Courtney, Sapient’s receptionist, who had recently graduated with a bachelors degree in studio art at Dartmouth College. Painted a year earlier, it depicts a streetscape of brownstones in Boston’s South End, where she lived.

During her years at Sapient, Courtney left the front desk and led new employee orientation, then ran Sapient’s People Strategy Organization (aka HR), and finally took overall responsibility for corporate culture. Over that time we had several moves and refreshes of our office space, and her painting was thrown into permanent storage and forgotten.

When the Dot-Com bubble burst, Sapient needed to shrink its physical footprint. Being a curious little opportunist, one day I accompanied our Operations team as they cleaned out one of the storage areas. Unearthing Courtney’s painting, and knowing that she was no longer around, I received permission to adopt it.

That was around 2002, toward the end of my tenure at Sapient, and just after my purchase of a condo in Boston’s Copley Square. When I brought the painting home, it took pride of place on the brick wall in my front entryway. And there it hung.

Years later, before I left Boston, I reached out to Courtney and offered to pay her or give the painting back. Despite initial interest, she never made arrangements to pick it up, and I never heard from her again.

The painting has been with me for nearly two decades, and now graces our Pittsburgh dining room. It is a treasured reminder of Boston, my time at Sapient, and the Back Bay condo I loved.

If I were to choose the destination for a birthday trip, I probably wouldn’t choose Cleveland. However, that’s what Inna wanted. At least it’s easily accessible from home. Here’s a quick trip report.

I & O @ R&R HoF
O @ R&R HoF
The Damned @ HoB
I with Beers

The Rock and Roll Hall of Fame: I wouldn’t call it disappointing, but it was spotty. A third of the building was closed and under construction. The layout was chaotic and confusing, so we probably missed some of the exhibits, but we saw nothing from numerous major acts like the Who, Michael Jackson, Kiss, the Bee Gees, Abba, Pink Floyd, Duran Duran... While entire walls were devoted to some acts, superstars like Elton John and Madonna were represented by one item each. But then what would you expect from an institution that is only now getting around to inducting Joan Baez, ELO, Journey, and Yes? Overall I give it a C+.

Spent a lot of time around Market Square. Ice cream at Mitchell’s was awesome. Killed time playing Codename Pictures and Forbidden Island at the Tabletop Board Game Cafe. Had a good dinner at the Great Lakes Brewpub, where Inna ordered and mostly stared at their flight/sampler of twelve five-ounce beers. Salivated a lot while browsing the huge West Side Market meat and produce stalls, where Inna (after some tribulation) eventually fulfilled her quest for a slab of strawberry cassatta from Cake Royale.

Returned downtown and checked into our hotel before the main event: a punk concert at the House of Blues by Inna’s adolescent idols, the Damned. They seemed tighter than previous performances, and overall it was a good show despite an iffy mixing job. Not so good was the rain-soaked walk back to the hotel afterward, nor the 3am fire alarm and building evacuation later that night.

After a decent hotel breakfast, we stopped by a mall in Mayfield Heights to hit the World Market (an internationally-focused grocery store) with an unplanned bonus bra shopping expedition.

Other than Inna’s desire to see the Damned, nothing about Cleveland was a must-see by any stretch of the imagination; however, we enjoyed the trip, got a nice break from our regular daily routine, and had fun together.

Then, after a night’s sleep, we got up and hit Pittsburgh’s amateur Art All Night exhibit, which we both found engaging, then enjoyed a damned savory lunch at Salem Halal on the Strip and a lovely walk around the Highland Park reservoir.

Nice weekend with the little woman.

Alpha-Bitch

Feb. 4th, 2017 07:48 am

Do you remember eating Post Alpha-Bits cereal when you were a kid? I certainly do.

One thing I distinctly remember was taking a ‘D’ or an ‘M’ or a ‘P’ and nibbling the serifs off. Mind you, this was a good quarter-century before I learned what a serif was. I must have been a typographer prodigy!

Alpha-Bits cereal

Oddly, some Alpha-Bits letters come with serifs, and others do not. So is the cereal really a serif set or a sans serif? It’s unclear; or perhaps I’m expecting too much precision from Cold War era corn slurry extruding machinery.

One would hope that technological improvements over the past sixty years would allow greater precision in cereal production. We can send a man to the moon, land a probe on a comet, and ride around in automobiles that drive themselves and don’t consume gasoline; so why can’t we get Alpha-Bits in serif *or* sans serif?

Or more ambitious yet, in specific typefaces? What if Post were savvy enough to market Alpha-Bits in a Caslon edition, or a Garamond, or Futura? If they made a Helvetica cereal, would people love it or hate it? Could they introduce a fruit-flavored Frutiger? Would they be able to produce hairline strokes for a Bodoni?

But why stop there? Could we improve penmanship by feeding our kids Copperplate script? Or create a generation of refined aesthetes raised on a steady diet of Chancery and Trajan? Would kids fed Comic Sans and Exocet become a collection of morons? And let’s not forget to eat our Zapf Dingbats: a delicious part of this nutritious breakfast!

Alpha-Bits typeface editions: imagine the Impact that might have (pun very much intended)!

On the other hand, we don’t want to go too far. I suspect even Post Foods’ marketing team might shy away from trying to sell “Alpha-Bits: Akzidenz-Grotesk”.

[livejournal.com profile] unicornpearlz asked: How the heck did you get so good at marketing?

I’d say there are probably three factors.

The first is just simple observation. Since no one can escape being marketed to, it makes sense for an engaged member of modern society to learn how mass media manipulate individuals and groups. This requires examining those media with a critical eye, giving thought to what the media are doing and how they go about doing it. I see that as just basic visual literacy.

The other is that it’s kinda of been part of my job. I’ve been designing Internet information systems since 1983, and that has included information architecture, data visualization, and (especially with the rise of the web) visual design. As such, I’ve gradually become attuned to the fact that layout and illustration do a whole lot more than just make a page look pretty; they control what information the user focuses on, what they perceive as important, and even how they react to that information.

In the early days, web developers and designers had to be jacks of all trades, and I was strong in technology, business strategy, and information design, but my weakest point has always been the creative side of visual design. Thus, the third factor: in 2001 I started classes at the New England School of Art and Design, with the idea of picking up a certificate in electronic graphic design. In 2005, due to extraordinary events in my life, I walked away from the program with just one class left to matriculate. But by then I’d gained all the knowledge I was going to get from the program.

Knowing I sucked at graphic design, that was an interesting and conscious exercise. When one is young, you always play to your strengths, looking for a job you will excel at; when you’re older, you start thinking more about new, more ambitious challenges and the value of exploring and strengthening the areas you’ve always found most difficult. When I started classes at NESAD, my work was actually well ahead of that of the kids in my classes, but over time, my work stayed at about the same level, while theirs improved dramatically. What I did gain was a better understanding of design and designers, and the incredible insights of the Bauhaus movement.

At the same time, it pretty much confirmed my lack of confidence in my creative ability. While I have expert skills providing critiques and making suggestions, and moderate skill at taking an existing design and improving it substantially, I’m an utter failure if I have to start with a blank page; the ideas just don’t come. So I didn’t overcome my weakness, but I definitely learned a lot, and refined my understanding of my limitations.

What’s ironic is that this lack of creative confidence has spread to my fiction writing, as well, which is one (of many) reasons why I decided to end my involvement with DargonZine. Fortunately, at least it hasn’t interfered with my blogging or photography, which have been my major “creative” outlets in recent years.

But really, I think my first two survey courses in graphic design were the most valuable in terms of gaining a degree of visual literacy. They taught me how to look at a piece of media and evaluate it from a designer’s perspective, and some of the techniques and methods used to influence the viewer, whether subtly or otherwise.

Well, now I can officially say that I’m a paid photographer.

Today I received a check that covers the purchase of four photos and the contracted location photo shoot where three of the four were taken. The other photo was the one that originally caught the attention of the buyer when she saw it in my Flickr photostream.

My photographic journey began with I received my first real SLR: an Olympus OM-1 that I received as my high school graduation present 25 years ago. I’ve been fascinated with photography ever since.

D inty Dot Hosiery

I dove into digital photography twelve years ago, when I got my hands on my employer’s Apple QuickTake 150, which took horrid, washed-out pictures at 640 x 480 resolution. In 1996 I took the plunge and bought an Olympus D-300L, which created pretty fair images at a resolution of 1024 x 768. Then in 1999 I moved up to the 2 megapixel Olympus C-2000z, my first digital zoom, and promptly thereafter sold my old, unused OM-1 to a coworker. I waited seven years before I got my next camera, but in January of 2006 in preparation for my trip to Seoul I finally acquired my first digital SLR: the 6 megapixel Nikon D50 that I’m using today.

Most interestingly, the organization that bought my work is a nonprofit that funds architectural illumination of Boston’s public historical and cultural sites. That means some challenging shooting: shooting at night with only the existing, provided illumination; and shooting in tight, crowded, confined spaces where sightlines may be sub-optimal.

On the other hand, I’ve always enjoyed both nighttime and architectural photography, as demonstrated by the long exposure B&W wintertime film work I did with my OM-1 in college. So this is an incredible opportunity to practice doing something I really enjoy, and build a portfolio, some contacts, and possibly a reputation in that field.

The assignment has also prompted me to do some studying about photographic technique and the business side of photography, which involves a lot of attention to what rights are granted and reserved, how to price photographic work, plus the legalese surrounding all that.

I’m still very surprised that they found me on Flickr, since I’d only been there a couple months. It’s pretty obvious that they searched on a particular site that they had worked on and I’d happened to shoot. I guess that underscores the value in shooting unique subjects, tagging them well, and posting them online. I’ve only been on Flickr six months and posted 150 photos, but it’s more than paid for itself already, and this work will soon pay for the star filter I just ordered over at Calumet.

So with that kind of positive reinforcement coming in, you can definitely expect to see more photos from me in my Flickr photostream in coming months. That’s doubly true, since they’ve already discussed a list of sixteen other sites they want to have shot!

It might not seem like a huge deal, but I’m really pleased that someone wants my stuff. I’m very proud to be able to say that I’m a paid, working photographer, and I’m delighted with the growth that this wonderful series of shoots should provide.

Okay, you want to talk about eerie? I’ve got this brother who’s fifteen years older than me. He left home about the time I graduated from toddlertude, and he’s never lived closer than half a continent away. So we grew up almost completely independently.

Despite that, I find myself following in his footsteps in some ways: a quiet, introspective bent; a liberal leaning; a passion for the printed word and creative writing; a mild interest in photography; and an interest in Buddhist thought. And I don’t think you can attribute those to parental influence, because I don’t think any of those traits were actively cultivated by our folks.

So that’s the background. Now for the story. This morning I got an all-too-rare email from my brother, with a pointer to some photos he recently took for a photography class with his new Nikon D100. I went and took a look at them and was absolutely flabbergasted. Here they are.

Lines 4 Black, brown and green

Now, compare those with the following two photographs.

Boston Waterfront Arnold Arboretum

Pretty similar, huh? Not quite identical, but the thought process behind each was, if not identical, then amazingly close.

Yes, the punch line is that I took that second set of photos for classes I was taking at art school back in 2004. The ship was for a study of Boston in my Digital Photography final project, and the tree was for a book I made in Graphic Design 3. To my knowledge, my brother had never seen either of my photos before. His photos were taken three years later, on the other side of the planet.

And this isn’t a case of having thousands of photos to choose from. My brother has only posted eight photos from class, and I haven’t taken all that many, myself. Sure, there’s such a thing as synchronicity, but this goes well beyond that.

It really makes me wonder about the degree to which particular creative thought and direction might be influenced by genetics. I’m at a loss to explain the commonality in any other way, since he and I have had completely disparate life experiences. We’ve never even seen each other’s photos before! It’s just incredibly surreal, and I thought it was an experience that just had to be shared. I’ll be wondering about that one for a long time to come.

Oh, and if you want some real synchronicity, consider this: My tree photo was taken in the Arnold Arboretum. Our class had been assigned the task of making a guidebook to that particular park.

Many, many years ago, my brother once lived in Boston, and in fact was married in a ceremony that was held… on the grounds of the Arnold Arboretum.

Frodography

Jul. 2nd, 2006 02:17 pm
Some more recent pix, to amuse your captain.

So it’s been a couple weeks since the 2006 Dargon Writers’ Summit, which this year took place in Cincinnati. What follows is a highly-hacked up version of the summary I posted to our discussion list.

Typically, I’d say this posting would only be of interest to me, but you might be interested to know that this year I went into the Summit with the intention of resigning most of my responsibilities.

Having run this writing group since 1984 and long having considered it one of the most important activities in my life, my departure represents a major, possibly shocking development. So you might want to read about that. But I won’t get into the details of it until near the end of this missive.

So here’s the story. Note that the original email this is based on is addressed to the writers themselves. The original email text is indented, with comments outdented.

Last Wednesday afternoon Daf, Rena, and I arrived at Liam’s and went to dinner at Longhorn Steakhouse. Rena made her way to her hotel, while the rest of us played a quick game of “You Have Been Sentenced”, an educational sentence-building game designed for a bit younger audience, before crashing throughout Liam’s many guest bedrooms.
 
Thursday the four of us drove a couple hours into the Kentucky Hills. Daf and Rena went to Natural Bridge State Park, where they took a chairlift up to (or perhaps only down from?) the top of a ridge and hiked across the massive stone bridge and around the area. Meanwhile, Liam and I went to nearby Red River Gorge for a 6-mile hike along one ridge, then down into a valley and up another. It was very steamy, hot work, and we were glad to get back to house, exhusted, for a shower before meeting up with Jim and snagging Jon at the airport to complete our complement of six for this year’s Summit. Sadly, there were no new writers joining us this year.

Ironically, we drove through Lexington KY. The only time I’ve been there before was for the 1991 VM Workshop. I returned from that trip to find my wife moving out prior to our eventual divorce, so the area, though very pretty, has very mixed emotions associated with it.

The hike was really spectacular, and I enjoyed it a lot. It was just right: enough exertion so that you knew you’d had a workout, but not so much that we were limping home in abject pain. I was impressed with Kentucky when I was down there in 1991, and came away just as impressed this time.

I was disappointed with the meager turnout of just five other writers, but one can’t expect much, given our rapidly-dwindling numbers. It was definitely nothing like Austin, just three years ago, when we had a dozen. The chronic absence of any new (unpublished) writers was another major irritant for me.

Supper was at Knotty Pine on the Bayou, a nice but rustic Cajun place near Liam’s. Pretty good stuff. Returning to the house, we had a bit of a scotch tasting, mostly thanks to Daf’s plunder from his 2005 Scotland trip, then proceeded with a game of Summit favorite Settlers of Catan before crashage.

I pretty much confirmed my preference for Talisker as a full-bodied, smoky whisky. Nothing else came close.

Friday a few people slept in, while the rest of us got a very substantial breakfast at a place called First Watch. Then it was back to the house for the Summit working sessions. Friday’s sessions were designed to be all focused on writing (as opposed to project administration stuff).

Jon, our impulsive guy, was twice warned not to order a huge plate of pancakes, but decided to do it anyways. He probably ate about 2/3rds of what he received.

The thinking behind separating project business and writing was to do the writing-related stuff before the surprise announcement of my scaling back my involvement, which would be an immense distraction. I also wanted to set the zine up to succeed as best I could, and that seemed to suggest making as much progress on the writing stuff as possible before throwing the spanner into the works.

I opened the ceremonies by sharing a bit of a joke: a map of Baranur where all the place names had been replaced by anagrams. For example, Monrodya had been rechristened “Many Odor” and Welspeare was now “Ale Spewer” and Leftwich became “Elfwitch”.
 
Next up was Liam with a very informative talk about point of view. He made the important distinction (which I hope we’ll observe henceforth) between POV (first person, second person, third person; omniscient vs. limited, etc) and perspective (which character’s head you’re occupying). Then he went on to talk about advantages and disadvantages of each, and rules for their use. Great stuff!
 
Next, Jim—in his usual animated fashion—gave a great talk about medieval ships and shipping. He described their main uses— transportation, fishing, and warfare—the various types of ships, their methods of propulsion, and what life was like on board. Again, great stuff!

The whole idea of “white papers”, where a writer goes off and does some research and then reports back to the group at the Summit, is fairly recent, but has always worked out very well.

While Liam stepped out to get out lunch, I led the group through an interesting writing exercise called “sausage sentences”. The idea was to write an entire story where the last letter of one word was the first letter of the next, “linking” them together. It was fun, but rough! Adverbs are not your friends! And you can just forget about fancy verb tenses and even pronouns! In the end, some pretty interesting works were crafted, including the ever-memorable “gnarly yellow walnuts”.
 
Finally, Liam shared the results of his and Rena’s research into Dargon’s money systems and monetary values. The basic message was that our intention to make the money systems confusing for the characters in Dargon had simultaneously confused the heck out of our writers, as well! The research indicates that although there were a few notable outliers, people have stayed mostly within the ballpark of rational values, and a few specific tweaks might clarify things nicely for the writers. Liam will do one more iteration and present a summary document to the group which will hopefully set the level for monetary values and sexchange rates so you can use them without fear.
 
With the working sessions over, we headed over into Ohio for the first time. We tromped through the Cincinnati Art Museum, which had a fascinating show of dozens of Rembrandt van Rijn etchings; sadly, no photos allowed. Half the group stayed to plunder the art museum while several others went to the Krohn Conservatory’s Australian butterfly show. Later, we met up and made our way to Mt. Adams, a trendy sightseeing district in Cincy. After a bit of wandering and admiring the views of the city, we had a fine supper at Teak, a Thai place.

The butterfly exhibit was nowhere near as impressive as my expectation had been, and the most beautiful example—this iridescent blue species -- adamantly refused to keep its wings open when being photographed. But it was better than wandering around the art museum for two hours…

The Thai food was pretty good. I had cashew chicken, which was probably second only to that at Boston’s King & I.

Returning home, we made good use of Liam’s pool table while putting some brass tacks down in the Doravin story arc. Things are coming together there, especially in the first section of the arc, which will get the ball rolling. A few of us capped the evening off with another round of Settlers, again running late into the night.

I had really hoped we’d make a lot more progress on the Doravin arc, but it wasn’t to be. I think it’ll get off the ground, but I’m not sure how much momentum it really has.

That brings us to Saturday. Liam, despite his bleary-eyed sleep deprivation, got up and got everyone waffled before the working sessions, which in turn focused on the project, what we’re doing, how it runs, and so forth (as opposed to writing).
 
I went through the results of the Web survey from last month, which I’ll publish shortly. The statements that our writers agree with most are that the quality of writing in DZ is very high, that writers feel empowered to run with ideas for the project, that participating has been fun, and that DZ is a great social group. But we don’t feel that we do a good job achieving our goals, nor that the zine could continue in my absence, or that we could rely on our fellow writers to do what they promise. This last one was a big “ah-ha!”, and is a huge integrity issue that stands in the way of our getting anything done, and is something that frustrates the heck out of me, personally.

Basically, this was a 20-question survey wherein I probed how people felt about the project, and about how we’ve done against the goals I’ve always had for it. The results are disappointing in places, and in other places contradict my own beliefs about where we’re at. At any rate, it was educational.

That was, of course, the prelude to my resignation discussion. I started out with some level-setting, including what I get out of running DargonZine and the accomplishments I’m most proud of, before segueing into the numerous things that have driven me apeshit.

Next came “The Discussion”, and I’m as unsure how to talk about it here as I was at the Summit. I guess the short version is that I’m burned out. I have a bunch of specific goals I’ve always wanted the group to achieve, and we haven’t achieved them under my leadership. What’s worse, I don’t think we ever will achieve them under my leadership.
 
I want to actually list what those goals are, so that you can understand where I’m coming from. They may differ from your goals, or your idea of the project’s goals. My personal goals include: making DZ a supportive and nonthreatening and fun environment; helping writers improve their craft; creating a group that values new writers as our most precious asset, whatever their writing level; building a close-knit community; allowing people to form meaningful friendships; building something that people care about and feel they own; building something people will actively contribute to and work to build up; ensuring the project’s survival; advancing my own writing; helping people grow in other ways, like leadership, initiative, and maturity; and providing meaning for my life by helping other people.

Basically, I went through each goal in detail, describing the failures I’ve seen: how we are a closed group and don’t value our new writers, our 2% success rate over the past five years at getting new writers into print, our chronic inability to achieve our goals, and how no one seems to feel any ownership in the zine or willingness to help make it work.

Beyond my concern about how we’re doing against my personal goals, keeping this group moving forward is an immense amount of work, and I’ve exceeded my ability to do that, to the point that I’ve gotten discouraged, resentful, and irritable. It’s no longer fun, and my irritability increases the amount of conflict on the list. As much as I love DZ and as much as it means to me to be its leader, there’s no question in my mind that I have to step out of that leadership role. And I shared that with the people at the Summit, over the course of an emotional (and far too lengthy) diatribe.

For about the past three years, I’ve gone through periods where I considered quitting. Usually I decide to hang on, because I thought things might get better, but now I feel like I have to admit that they aren’t going to get better under my leadership.

I can’t really say much about what it felt like to tell this to these people who have depended on me to run the project since its inception. It was hard. It was a relief. It was painful. It was emotional. I was numb. Putting it all out there, being willing to walk away from my life’s work… Well, it’s a watershed point. It had been coming for a long time, and I had to get through it. Something had to change, and that change was long overdue.

I’m really not in a position where I can or should be the decisionmaker for the zine anymore, so I left it up to the group what they wanted to do next. The cool thing is that I think they responded well to this immense challenge that—for most of them —came out of the blue.

Although I tend to remember the many times the writers have disappointed me by blowing deadlines, dropping the ball, and conveniently forgetting things they had promised, I have to repeat that I was very impressed by how the group responded. They were mature and practical, and accepted my statement of the problem and my inability to continue as leader without question. Then they got into solution mode and came up with some great ideas that I hadn’t foreseen.

So we listed all the things I do and broke them down into four roles: editor, leader, techie, and marketing (the fifth role of mentor having already been forked off as a separate position that Jim presently occupies). Then we looked at what could be reassigned. The majority of the stress in my job comes from being leader/visionary and ultimate decisionmaker, so we decided to take that role off my hands. The ultimate project leader is now Liam Donahue, and he will share that role to some degree with Jon Evans, and I’ll be involved to a much lesser degree, in an advisory capacity. I will continue to perform the editor job (putting out issues), with Liam as the Assistant Editor backup. Dafydd has agreed to share the work load of the techie role, and he and I will work together over time so that he is able to maintain the web site and other technical stuff just as well as I. The marketing role remains a questionmark, but Jon and I have both been talking to former DZ writer Rhonda Gomez, and we believe she’ll be willing to take on some of those duties.

It was kind of a revelation to me that most of my stress comes from the visionary role. Of course, that role also includes arbiter of conflict and ultimate decisionmaker, which makes that person a lightning rod for conflict.

Furthermore, that person is also charged with setting the group’s goals and ensuring that we achieve them, and our constant failure to achieve our goals has left me utterly demoralized.

On top of that, over the past twelve years I’ve tried just about everything I can think of to inspire the group and move the group forward. The perpetual lack of success tells me that my methods haven’t worked, and—since I lack any more ideas about how to motivate people -- it’s time to turn the reins over to someone with more fresh ideas and evergy to try and make them happen.

So let me ask you to pay attention to and work with Liam and Jon. They’re both experienced managers and able leaders and know the project inside and out, and I have absolutely every confidence in their wisdom. The project and where it goes from here is largely theirs to determine. As for me, I’ll remain around. I hope that I’ll be able to contribute more writing in the future and maybe do some mentoring, but we’ll see about that. I’m going to have to spend some time transitioning duties and then see how my attitude responds to this change. However, I’m honestly pretty confident that this change is best for me, for the zine, and for you. I’m excited to see what Liam and Jon come up with.

The interesting thing is that their solution of farming out responsibilities leaves me with the option of staying with the project -- even in an editorial role—while drastically reducing my responsibilities. I think that worked out rather nicely, and it gives me the opportunity to do two of the things that mean the most to me— mentoring and doing my own writing—which I haven’t had the time to do in years.

One of my major harping points has been how poorly we have served our new writers. The Summitteers took up that challenge and completely revised the mentoring system in a way that—to our surprise—received universal support. I’ll leave the details of it to Jim, but the basic idea is to make it easier for new writers to get involved with DZ by giving them the ability to share their existing and new non-Dargon works, then some reduced requirements for getting their first full Dargon stories printed. New writers can start anywhere along a whole continuum of participation levels, with increasing rewards being given for increasingly integrated stories. Everyone thought the idea had a ton of merit, and Jim will be filling you in with more details shortly, but everyone was really excited by the idea. We are even planning to get back in touch with a number of former writers who never got printed, in hopes that some of them may want to try this new way of getting up to speed with the zine.

This was something of a surprise to me. It’s been a while since anyone applied much creative thinking to the project, so I’ll be curious to see how this dramatically new direction plays out. But clearly, if we don’t solve the new writer ramp-up problem immediately, the zine is dead.

After all that painful stuff, Jon took the floor to talk about our financial state and nonprofit status, then gave his presentation on how to manage a project. That might sound like it doesn’t apply to you, but everyone here is involved in little projects, and we have always sucked at getting things done. Several writers have listed these non-writing projects as things that frustrated them to the point of quitting. Jon’s project management techniques, if applied, are absolutely guaranteed to help. The information was straightforward and should help people follow through, so that— unlike today—we can once again feel confident that we can rely on people to actually do what they say they will do.

This reliability bit is a major thorn, and something that really discourages new writers, who might sign up for a task, full of enthusiasm, only to have it unceremoniously dropped in their lap by a veteran. And I’ve always thought this was the most basic form of integrity, so it’s always driven me apeshit whenever this happens in “my” organization.

And yes, these things driving me apeshit is definitely a theme here… Has been for over a decade.

All these sessions will have results placed in the Document Library shortly, as soon as I can collect them from the presenters. I strongly encourage you to check them out, because they were really great presentations that I think will help us a great deal.
 
After spending most of the day on all that heavy stuff, we were eager to have some fun. We moved our dinner reservation up and had champagne (thanks to Jon) and an early dinner at Brio, an Italian place at Newport on the Levee, a touristy shopping area. From there, we went through the Newport Aquarium, which had some really interesting stuff: sharks, avians, otters, gators, and so forth. Afterward we stopped for ice cream at Graetor’s, a Cincinnati original, before heading home. Dafydd showed us his pictures from his trips to Hawaii, Australia, and Scotland, but people were dropping hard, and we went to bed without even managing a single game of Settlers! We’re clearly not as young as we used to was.

The Summit is always a big photographic opportunity, and I definitely plunged in with my new camera. The aquarium was both a particular showcase and a major challenge, since the ambient lighting was kept very low so you could see through the glass. There’ll be some photos posted in short order, and you can also check out this year’s Summit page for both photos and a writeup.

Sunday was departure day, and with no working sessions, people slept in and took good long showers. We got the group photo done and cleaned up the house, then managed a quick game of Settlers before Rena and Jon left for the airport. The rest of us had a quick and enjoyable game of the related Seafarers of Catan before we, too, had to make our way to the airport. Tired good-byes were said, and the journey back home via the evil that is O’Hare was undertaken, carrying with us the precious memories of another wonderful encounter with our longtime friends and fellow writers.

So I got home from the Summit late Sunday night; my flight out of O’Hare had been delayed, and I didn’t get home until after midnight. So that wasn’t a restful night. I’d taken Monday off, but Monday night one of my former writers, Rhonda, was arriving in town for her daughter’s graduation, and wanted to visit. Unfortunately, her flight arrived at 10:15pm, and we were up until about 1:30, talking.

Less than a week later, Janine, another former writer, was in town for a week-long conference. We had dinner together several times, and talked well into the evening. Again, more sleep deprivation!

So June has been an interesting month, as far as my contact with my writers goes. And sleep deprivation like crazy, but at least it’s been in the service of socializing with people I care about, which is a pleasant change.

EOY

Dec. 31st, 2005 04:26 pm

I know it’s tedious to read about everyone’s end-of-year natterings, so I’ll keep mine brief.

Having just gone through a very difficult period, I’m naturally inclined to write 2005 off as just a series of very painful events. However, when I went to make a list of the good and the bad, I discovered a very surprising and substantial imbalance toward the good. This year in particular this list seems to really help keep things in perspective.

So here’s my lists:

The Bad The Good
  • Puggle’s sudden death
  • Inna’s hospitalization
  • Abandoning my graphic design certificate program
  • The damage done to my ceilings by leaks in the building’s A/C system
  • Having to send back my new Dell laptop as defective
  • The brouhaha with my bike shop over replacing my headset
  • Early-season difficulties on the bike due to my back and seat
  • I never had the time to get started in sea kayaking this year
 
  • Got a new job and began making money again
  • DargonZine went back into circulation, printing the first half of the long-awaited Black Idol story arc, our most ambitious collaboration ever
  • Those included “Liberated Hope”, a two-chapter story of my own
  • Made a ton of positive progress in incorporating Buddhist philosophy into my life
  • Bought a very nice brand new road bike
  • Realized a longstanding dream by taking the train up to Portland, Maine and biking from there to Augusta
  • Had three pieces of artwork displayed publicly at my art school’s senior show
  • Met several prominent personalities, including Benoit Mandelbrot, Greg Hawkes, Ajahn Brahm, and Terry Pratchett
  • Had a tremendously enjoyable and successful Pan-Mass Challenge charity ride
  • Attended a pleasant Dargon Writers’ Summit in Traverse City, Michigan
  • Learned how to do my own artistic bookbinding
  • Went for a schooner ride in Camden, Maine with my brother
  • Began attending friendly scotch nights and picked up a rare bottle of Port Ellen at a local tasting
  • Got back into the swing of playing Diplomacy and learned how to play the excellent game Settlers of Catan
  • Got back into and put in a good showing at some friendly poker games, then had a very profitable blackjack outing at Foxwoods
  • Got the bloaty-ohs attending my first Scooper Bowl: an all-you-can-eat ice cream charity event
  • Bought an iPod Nano
  • Joined the ACLU in response to the US government’s unabashed assault on human rights both domestically and abroad
  • Had a fun time showing my friend Tasia around Boston

So that’s the scoop. As you can see, the positives far outweigh the negatives, even if there were a couple really, really terrible things that happened this year.

Every so often you have to do the Friday Five. Or two, since there’s two of them going now…

[livejournal.com profile] thefridayfive:

What is the oldest object in the room with you?
Probably an early Waltham 8-day deck watch / marine chronometer, in its original gimabelled mahogany case. It was probably manufactured around 1920, and came to me via my father, who was in the jewellery business back about 45 years ago. It’s probably work around three grand.
 
What is the newest?
A CD-ROM backup of DargonZine’s Web site that I cut this afternoon in preparation to move the site to a new ISP.
 
What is your favorite object in the room with you?
Hands down: the Puggle.
 
What is the most valuable object?
In terms of dollars? Probably that chronometer.
 
What is the ugliest object?
An early art project of mine which shows a scientist standing next to a large telescope that reveals a pair of woman’s lips.

[livejournal.com profile] fridayfiver

What's your favorite radio station?
Hmmm. I haven’t listened to radio in a long time. I used to listen to Indiana Pacers games on WIBC, until the NBA shut them down. Recently, my employer gave us Sirius Satellite Radios as a gift, and I’m still exploring the available channels. I most frequently listen to the classical “Symphony Hall” channel, and certain NBA games, but you might catch me listening to a reggae, 60s, 70s, 80s, or techno channel. Back in the day, I used to listen to Emerson’s WERS, BC’s WZBC, and Brown’s WBRU (not WBUR).
 
How would you describe the format?
Huh? Hard drives have formats; radio stations either play music, talk, or commercials.
 
Do you think satellite radio will become commonplace, like subscribing to cable TV?
Interesting question, since I’ve just been given one! It certainly could, if it doesn’t suffer from the same inanity that cable television has become. But as I see it, the real problem is that unlike cable television, on satellite radio the same company that bills you is the same one that produces the content, which is highly monopolistic. I’d rather have the delivery company be independent of the content producers.
 
Have you thought about buying a satellite radio subscription?
No. I got one, even though I really wasn’t interested in it. Despite that, so far it’s been tolerable.
 
When is the last time you said goodbye?
Leaving work.

A week ago, I helped put up my art school’s senior show, wherein our graduating class of about 18 graphic designers show off their stuff.

Now that the show has been up for half a week, yesterday was our artists’ reception, the tacky little party where all the kids get to show off their work to their family and friends in the school’s main gallery.

I intentionally did not check the show out before the reception, because I wanted to have something to do that night other than stand around looking conspicuously uncomfortable. I despise parties to begin with, and I purposely did not invite any of my own friends or my geriatric family to the show. Irrespective of that fact, the show was an absolute crush of people, and the gallery was more comparable to a noisy mosh pit than an appreciation of the displayed art. I even saw people walking away in disgust because the gallery was too hot, too crowded, and too noisy for them to actually look at the work.

Early on, before it got too crowded, I did take the time to look at the show, and I was really impressed with both the quantity and the quality of what my class has produced.

Illustrative Type Magazine Spread

On the other hand, I remain acutely disappointed with my own work. Two years ago I would have told you that I was surprised that my work was among the better stuff, but I seem to have lost a lot of ground since then. Other than photography, I don’t think I’ve done anything of decent quality in a long time, which discourages me.

In the end, only three pieces of mine were selected for the show. One was a passable magazine spread I did two years ago, another was a handmade book which I’m not entirely happy with because it had very little graphic design to it, and the third was a collaboration with three other artists, who were largely responsible for its final quality. You can peruse those pieces in this photo gallery.

With this semester ending in a week or two, the only class I have left will be a short portfolio prep course this summer. I’m still glad that I went through this program. My goal was to learn more about graphic design and address a known weakness. I think I’ve learned that I’m still definitely deficient in graphic design skills, most notably visual creativity. However, I understand the process much better, and I realize that I am capable of competent, albeit not innovative, design.

Most of my self-worth is derived from competence—nay, expertise in whatever I choose to do. For that reason, it was very challenging for me to go into art school, because I was putting myself in a position where I had to reveal a known incompetence to people with vastly more innate talent than I will ever have. It remains intensely difficult for me to admit that although I’ve been through art school, I still am not able to predictably and reliably create anything as aesthetic as many people do naturally.

However, I’m slowly coming to accept that shortcoming, and am increasingly able to objectively assess where I fall on the continuum of artistic skill. I find it’s all very reminiscent of the discussion I described in this recent LJ post about arrogance, acknowledging my own fallibility and respecting those whose skills and knowledge exceed mine. But, boy, that doesn’t make it less hard.

What does it say in the signature line of your emails?
-o
 http://users.rcn.com/ornoth/
 
Did you have a senior quote in your high school yearbook? What was it? If you haven't graduated yet, what would you like your quote to be?
In addition to including my proper “Ornoth” name, future plans, and whim, I cited my French teacher, who once said, “Vivre le Mort”.
 
If you had vanity plates on your car, what would they read? If you already have them, what do they say?
TRAIF
 
Have you received any gifts with messages engraved upon them? What did the inscription say?
Several. The ones I remember are a silver Tiffany pen with my initials for my fifth anniversary at Sapient, a silver Tiffany bookmark to commemorate the completion of the NYNEX BigYellow project, and most recently a pewter quaich from the host of the 2002 DargonZine Summit in Scotland.
 
What would you like your epitaph to be?
Artist
What's one thing you've always wanted to do, but never have?
For quite some time I’ve wanted to rent a Jet-Ski or other personal watercraft, and never had the opportunity. It definitely seems like something I’d enjoy, but it just hasn’t happened.
 
I had the chance during this year’s Dargon Writers Summit in Austin, but we’d already spent a couple hours on Lake Travis in a rented party boat, and everyone else wanted to go home. It was definitely a huge disappointment.
 
When someone asks your opinion about a new haircut/outfit/etc, are you always honest?
Brutally. I’m Ornoth. Why the hell would you bother asking the question if you don’t want to hear the answer?
 
Have you ever found out something about a friend and then wished you hadn't? What happened?
No. I find deception of any kind offensive and insulting, and intentional self-deception is absolutely unimaginable.
 
If you could live in any fictional world (from a book/movie/game/etc.) which would it be and why?
While I can’t give you a specific environment, it would probably be some type of low fantasy setting. Basically, I would want to preserve the affinity for nature and the sense of wonder that medieval fantasy evokes, yet avoid the trite (not to mention uncomfortable) presence of Absolute Evil that comes with high fantasy. I would prefer that the drama in my life come as a result of the interaction between normal people than from some overblown, simplistic idea of good and evil. Hey, maybe I should live in Dargon!
 
What's one talent/skill you don't have but always wanted?
Realistic or otherwise?
 
Realistically, I think a sense of visual creativity. I’ve never been able to draw or do visual art, and that’s been my biggest struggle as a graphic designer. My approach to graphic design is extremely functional, rather than creative.
 
However, if you’re talking about super powers, then I would like the ability to temporarily stop time, much as depicted in the book and film “The Girl, the Gold Watch, and Everything”. I could have a great deal of fun and do a great deal of good with soemthing like that.
This is not the Mona Lisa

In one of my art school classes this semester I did a series of collages based on famous paintings: the Mona Lisa, Whistler’s Mother, and American Gothic. The point was to draw a parallel between visual collage, a long-accepted art form, and audio sampling as “aural collage”, which has been villified as copyright infringement. My Mona piece appears at right (click for a larger version).

Brian, my teacher for that class, spent the spring break on a long-planned trip to Paris. Being a professional illustrator and art school teacher, he of course went to the Louvre. Can you see where this is headed?

Yes, he saw the one and only original Mona Lisa. And when he did, all he could think about was my project. Yes, I completely ruined it for him! I have that power. He couldn’t so much as glance at that masterpiece without asking himself “But what about the blue hands?!?”

So the strangest thing just happened to me in Graphic Design class. We were showing our preliminary designs for a small poster with an abstract design composed entirely of letters, numbers, and symbols from a typeface that we had chosen.

Frutiger Poster

The typeface I had selected was Frutiger, which was designed specifically for — and made famous by — the Charles de Gaulle airport outside Paris in the early '70s.

My design featured a series of letters whose forms made a kind of sophisticated pipeline around three sides of the poster, and the upper right quarter of an immense grey 'X', and a series of numbers that went along the edge of the 'X' in perspective. I was trying to be smart by creating a cognitive dissonance with things overlapping the "wrong" way in perspective and a bunch of other stuff that doesn't really matter. The result looked reasonably good, but I felt it needed some tweaking to achieve my goals.

Well, imagine my surprise when I tacked the thing up and the first comment out of the instructor's mouth was "This just screams 'airport'", and it totally did! My nice black pipeline looked just like a stylized map of a circuit road, and the big grey 'X' couldn't have looked more like a runway than if I'd tried, and came complete with big runway numbers along it!It really did scream "airport".

Knowing that Frutiger was designed specifically for an airport, the poster couldn't have possibly been a more perfect interpretation of its original context! And the thing that absolutely floors me is that it was so completely NOT what I was thinking when I laid the thing out!

Too bizarre. Just too bizarre.

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